Ensemble Correspondances, Sébastien Daucé & Lucile Richardot — Perpetual Night: 17th Century Airs and Songs

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Lucile Richardot makes a wonderful guide to this treasury of 17th-century songs, many written for the court of Henry, Prince of Wales. With her rich, expressive voice and beautifully clear diction, she’s particularly good at conveying melancholy moods. The evenness of her singing from deep down in the register right to the top is particularly impressive, and she’s a born storyteller. William Lawes’ “Music, the master of thy art is dead”, with the male singers of Ensemble Correspondances, creates some breathtaking and intense sonorities. Sébastien Daucé draws gorgeous sounds from his instrumentalists.

Артист

Ensemble Correspondances, Sébastien Daucé & Lucile Richardot

Треки

  1. Care-charming sleep 5:15
  2. Justitia Sacrum (Whiles I this standing lake) 3:07
  3. The Masque of Squires: Go, happy man 2:00
  4. What tears, dear Prince, can serve 3:27
  5. Music, the master of thy art is dead 2:50
  6. Selected Ayres and Dialogues: No more shall meads 3:10
  7. Go, perjured man 1:18
  8. Pavan in F-Major 4:02
  9. Choice Ayres & Songs: Give me my lute 2:27
  10. Howl not, you ghosts and furies 4:40
  11. Britannia Triumphans: Chorus "Britanocles the great and good appears" (King's Masque Final) 3:18
  12. Powerful Morpheus, let thy charms 4:46
  13. The Judgment of Paris: Rise, princely shepherd 6:39
  14. Choice Ayres & Songs: Adieu to the pleasures 4:44
  15. Choice Ayres & Songs: Amintas, that true hearted swain 3:43
  16. Amphion Anglicus: Poor Celadon, he sighs in vain (Loving above himself) 5:10
  17. Little Consort of 3 Parts, Suite III: IV. Saraband 1:24
  18. Celestial Music: When Orpheus sang 4:16
  19. Choice Ayres & Songs: Phillis, oh! turn that face 2:02
  20. Amphion Anglicus: Epilogue "Sing, sing, Ye Muses" 3:43