RADWIMPS — Batsu to Maru to Tsumi To

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Обложка альбома «Batsu to Maru to Tsumi To» — RADWIMPS

Kanagawa-born RADWIMPS was already a veteran of the nation’s modern-rock scene when <i>Batsu To Maru To Tsumi To</i> came out in 2013. Over the previous decade, the band made a name for itself thanks to energised numbers harkening back to bands like Blur and Supergrass, with an added nu-metal attitude. On its seventh album, <i>Batsu To Maru To Tsumi To</i>, RADWIMPS continues honing its rock sound while also leaning into slower, more spacious ballads that really showcase lead singer Yojiro Noda’s skillful lyrics. The quartet plays with rock’s nuances across <i>Batsu To Maru To Tsumi To</i>. “Jikkyochuukei” zips out of the gate with angular guitar melodies and Noda’s sing-speak vocal delivery. The band channels the aggressive playing of Japanese rock legend Sheena Ringo on the buzzy “Gogatsu No Hae”, becoming one of the first male-fronted groups in the country to recognize her artistry. RADWIMPS shares its most frantic percussion to date on “Kaishin No Ichigeki”, demonstrating drummer Satoshi Yamaguchi’s development as a performer. The members also exhibit a growing interest in soaring ballads on the album. Previous records often included a few of these, yet the number jumped up here. This manifests in tracks built around bell chimes (“Ienai”) or stripped-down cuts centering piano and especially aching vocal performances (“Breath”). Future albums would see the group exploring and mastering the form, but on <i>Batsu To Maru To Tsumi To</i>, RADWIMPS is just getting started.

Артист

RADWIMPS

Треки

  1. Ienai 6:32
  2. Jikkyochuukei 5:05
  3. Iron Bible 5:35
  4. Reunion 5:19
  5. Darma Grand Prix 4:09
  6. Gogatsu No Hae 5:02
  7. Saigo No Bansan 5:10
  8. Yugiri 1:40
  9. Breath 6:22
  10. Perfect Baby 3:56
  11. Dreamer's High 5:57
  12. Kaishin No Ichigeki 4:36
  13. Tummy 4:47
  14. Last Virgin 5:15
  15. Hari to Toge 7:20