Dr. Dre — Compton

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In 2015, Dr. Dre shocked a skeptical music world by dropping <i>Compton</i>, the long-awaited follow-up to 1999 chart monster <i>2001</i> that many expectant fans had come to believe was apocryphal. Loosely pegged to the release of the N.W.A biopic, <i>Straight Outta Compton</i>, the album found the West Coast rap founding father fully embracing his legacy as an auteur—an expert curator who knows his role and plays it to stylish, hard-boiled perfection. Dr. Dre has often compared his albums to films, and <i>Compton</i> sounds more cinematic than anything in his discography; with its all-star ensemble cast, it feels perfect for the age of Marvel movies that it surfaced into. Every beat sounds expensive and high stakes, often changing shape with the entrance of a new voice—either a legacy act, reigning royalty or a protégé on the rise. Dre did not return just to cash in on nostalgia; he thoughtfully pits the greatest minds of his generation and the next couple—Ice Cube, Snoop Dogg, Xzibit, Eminem—against a panoply of new talent from his home city, as a challenge to all parties to be on top of their game. As a rapper, Dre works to demonstrate the extent to which he can evolve with the times and play off of his collaborators. In “Genocide”, he goes toe-to-toe with his city’s star hip-hop talent, Kendrick Lamar, rapping in high, hoarse and energised tones to complement Lamar’s own idiosyncratic, range-switching style. Elsewhere, then-newcomer Anderson .Paak assumes the Nate Dogg-like role of G-funk crooner but adds his own sense of urgency and eccentricity—see his inspired, unhinged interplay with Dre on “All In a Day’s Work”. <i>Compton</i>’s beats reflect a pangenerational viewpoint as well. There are dustier, sample-driven moments like “It’s All On Me” and satisfying throwback G-funk tracks like the Snoop Dogg collab “Satisfaction”. But there are also more curious variations on the theme—the lightly drunken neo-soul groove of “Animals”—and wild detours like the glitchy pseudo-trap in the second half of "Medicine Man". The album might be called <i>Compton</i>, but there’s a global quality about this music, reflective of so much hip-hop that came in the decade and a half during which Dre was largely absent from the pop music sphere as a soloist.

Артист

Dr. Dre

Треки

  1. Intro 1:15
  2. Talk About It (feat. King Mez & Justus) 3:15
  3. Genocide (feat. Kendrick Lamar, Marsha Ambrosius & Candice Pillay) 4:26
  4. It's All On Me (feat. Justus & BJ the Chicago Kid) 3:47
  5. All In a Day's Work (feat. Marsha Ambrosius) 5:13
  6. Darkside/Gone (feat. King Mez, Marsha Ambrosius & Kendrick Lamar) 3:53
  7. Loose Cannons (feat. Xzibit, COLD 187um & Sly Pyper) 4:13
  8. Issues (feat. Ice Cube, Anderson .Paak & Dem Jointz) 3:41
  9. Deep Water (feat. Kendrick Lamar, Justus & Anderson .Paak) 5:11
  10. One Shot One Kill (feat. Snoop Dogg) 3:25
  11. Just Another Day (feat. Asia Bryant) 2:21
  12. For the Love of Money (feat. Jill Scott, Jon Connor & Anderson .Paak) 4:08
  13. Satisfiction (feat. Snoop Dogg, Marsha Ambrosius & King Mez) 4:24
  14. Animals (feat. Anderson .Paak) 3:47
  15. Medicine Man (feat. Eminem, Candice Pillay & Anderson .Paak) 4:14
  16. Talking to My Diary 4:23